18+ only · Fictional adult characters · A private, account-based studio
18+ only · Fictional adult characters · A private, account-based studio
The first lap of the bench: one fixed facet sheet, held across a whole series. Standard frames at 6 credits, premium kept for covers.
Standard text-to-image: 6 credits per image — and your daily check-in hands you 6 credits free, so today’s first frame can cost nothing. Every job shows its exact cost before you confirm it.
Every finished piece on this bench starts the same way: a fictional adult woman, described once and described exactly. The standard model renders a tall 832×1248 frame for 6 credits; the premium model, at 41 credits, is kept for the stones that will sit at the front of the tray — covers and hero frames. Between those two costs lies the whole craft of the generator, and it is a cutter’s craft: the character’s description is her facet sheet, and a facet sheet is never rewritten from memory halfway through a stone.
Write the facet sheet with five fixed lines, always in the same order: her age as a plain number, 30 or over at this bench by habit; her hair — colour, length and one habitual style; her build in two or three words; one or two enduring facial details; and a signature — the mole, the small scar, the ring she never takes off — that lets a viewer know her even in a tight crop. Paste that sheet, word for word, at the head of every prompt. Beneath it, a single changing line carries what varies: the outfit, the room, the hour, the light. Hold the sheet steady and each new facet can be judged honestly against the last; let it drift and no station further down the bench will cut her back to herself.
Concrete lines survive the move from job to job. “Raven-black hair parted in the centre and tucked behind both ears, held by two slim silver barrettes” cuts the same woman every time; “glorious hair” is a mood, and moods are re-cut differently at every pass.
Cut a set in one room under one light, then move a single thing onward. A series is built from deliberate single changes, not from re-rolling a prompt and hoping the stone holds.
Generate generously at the standard cost, then cull hard against the facet sheet. Edits, swaps and upscales are finishing costs — spend them only on facets that earned their place in the tray.
Brief seven frames of one character in one session, and the feed never waits on inspiration mid-week.
The stone at the front of the tray, cut to the same bench standard as the set behind it.
Stills composed with room to move — space around the subject, a direction left open — ready for the motion station.
“Fictional 36-year-old woman, raven-black hair parted in the centre and tucked behind both ears, held by two slim silver barrettes, cool fair skin, a small mole at the right jawline; sapphire-blue velvet corset with silver eyelets and a sheer white robe worn open over it, standing at a bright lapidary workbench with a faceting wheel, glass jars of rough stones and a gooseneck lamp, paper-white walls and cool daylight, editorial photograph.”
Everything before the semicolon is the facet sheet — it never changes. The line after it is the only new thing in this cut.
“Fictional 36-year-old woman, raven-black hair parted in the centre and tucked behind both ears, held by two slim silver barrettes, cool fair skin, a small mole at the right jawline; the same sapphire corset, standing against a plain paper-white studio wall, one shaft of cool daylight from the left, editorial photograph.”
A bare wall is the honest test of a facet sheet. If she is still herself against nothing, the sheet is sound and the set can be trusted.
| Setting | Standard model | Premium model |
|---|---|---|
| Cost | 6 credits | 41 credits |
| Kept for | Series work, daily frames, volume | Covers, hero frames, the one image everyone sees first |
| Method | Generate many, keep few | Brief slowly, generate few |
| Symptom | Cause | Correction |
|---|---|---|
| The character changes between frames | The facet sheet was rewritten from memory | Paste the same sheet every time; vary only the line below it |
| The frame feels crowded and unsettled | Too many objects and actions in one brief | One room, one action, one light source per frame |
| Hands and small props break | Hands asked to hold fine detail | Rest the hands, or crop the frame at the waist |
Yes. Registration is free, and the daily check-in gives you 6 credits — exactly the cost of one standard frame. That is one fresh cut from the bench every day, for as long as you keep checking in. Credit packs are there for the days when the workload runs longer.
A standard frame costs 6 credits, shown before you confirm the job. The premium model costs 41 credits and is best kept for covers and hero frames rather than daily series work.
Write her facet sheet once — age, hair, build, face, signature — and paste it unchanged at the top of every prompt. Change only the outfit, the room and the light in the line below it, and judge each result against the sheet.
No. Frames rest private in your account. Only what you deliberately publish appears in the gallery, and unpublishing takes effect immediately.
A tall 832×1248 portrait frame, ready for feeds and stores. When a destination asks for more, the image upscaler at the polishing end is the last stop.
Drafts, edits, animation and finishing share one credit balance and one private library. Start with the piece you need today.
Open the generator