18+ only · Fictional adult characters · A private, account-based studio
18+ only · Fictional adult characters · A private, account-based studio
FuliGem is a lapidary bench for adult AI images and video: a fictional character arrives as rough, and the bench cuts her — facet by facet, against a written facet sheet — into stills, clips, edits and finished pieces that all read as the same woman. Eight stations stand along one bench, every job is priced on the sheet before it runs, every result stays private on your side of the bench until you choose to show it, and a failed cut refunds itself. Nothing here is rushed, and nothing leaves the bench on its own.
Free to register. Check in daily to collect 6 credits — exactly the cost of one standard image, one fresh cut from the bench every day.
Work moves down the bench the way a stone moves across a lapidary’s table. She is first roughed out at the generator, where her facet sheet is written and fixed. From there the stone travels as the work asks: motion at the video station, transformation at the guarded end of the bench, repairs at the editing lap, her face held true at the transfer station, and the upscalers at the polishing end — used last, and only on pieces that earned the polish. Every station draws on the same account and the same credit balance, and the Facet sheet beside each tool lists its inputs, outputs and cost before you commit to anything.
Text-to-image for fictional adult characters. Rough her out once, write her facet sheet, and hold every later cut to it.
Motion Station · In MovementText-to-video and image-to-video. Give a finished facet one movement, and keep the movement hers.
Guarded End · TransformConsented transformations of your own photographs and your own generated characters. No one else’s rough, ever.
Editing Lap · RecutsOne careful recut at a time — wardrobe, setting, light — for facets that miss by a single angle.
Transfer Station · Hold the FaceCarry her face onto new stills, so a whole tray of finished stones still reads as one and the same woman.
Polishing End · Full SizeFinished clips brought up to the size their destination asks for. The last station on the bench, never the first.
Age, hair, build and one lasting mark, written into a facet sheet you reuse word for word. A character re-described from memory at every job is rough that changes shape between cuts.
Stills, clips, edits and swaps all run from the same account. Each job shows its exact credit cost before you confirm it, and each result is inspected under the lamp before it is kept.
Polish only the keepers. Everything else rests private on your side of the bench until you publish it yourself — the gallery shows only what its maker decided to set in the light.
The gallery is the lit tray at the end of the bench: only the frames and clips their makers chose to display. The bench default is private; appearing here is always a deliberate decision by the person who cut the piece, never an accident of the system.
Registration is free, and the daily check-in covers one standard picture a day. When the work outgrows that pace, one-time credit packs wait at the pricing page — no subscription, no silent renewals.
Start at the first lapProduction notes on character consistency, prompt systems and delivery specs.
A polishing pass cannot rescue a clip that drifted. Judge motion the way you judge stills — against the facet sheet, at…
Feelings are generous after an hour of generating. Five inspections you can run in under a minute — likeness, hands, light, edges,…
A character stays herself because her facet sheet never changes. The five fixed lines, the version habit, and what to check when…